7-13-10
Having helmed several music blogs since 2002, I have never particularly written about the artists to whom I have had a special affinity (the notable exception would be Frank Zappa). Most anyone reading this knows that I expended a fair bit of effort in a pre-internet world on Split Enz.
I saw them live a number of times from roughly 1977 (Golden Bear,
So, for me – Split Enz represent my ascent into the (music) video age. When I went to
It would be pointless for me to post even a partial discography for Split Enz – I can just say that if you do not already own a copy, I recommend “Mental Notes”, their original NZ / Australian full-length album – on either LP or CD. The one that’s best that’s somewhat easy to find in the
If the progressive rock of 1975 Enz isn’t quite your kettle of fish – try the more new wave-y “True Colours” or “Waiata” (also known as “Coroboree”) – but be careful on which CD version you get – the Australian WEA re-master CD of “Waiata” / “Coroboree” has indeed been remixed – more than just a little.
I never really warmed to Neil Finn – much less any of his post-Enz activities. It was always so unusual – his attitude towards enthusiastic fans – he was so derisive and dismissive at times. Why would anyone creating art in public generate so much disdain towards the people who love and support what you do?
A final shout out to Phil Judd, the man who wrote a lot of material for the original Split Enz. I did my best to follow his work from afar – it was hard work being a Swingers fan in
3 comments:
"Why would anyone creating art in public generate so much disdain towards the people who love and support what you do? "
Projection of self-hatred, perhaps?
I'll keep those thoughts in mind when I see Mr. Finn at the end of this month. Crowded House is coming to Orlando to support their new LP, and since Kenna and some of our friends really wanted to go, I'll be there. The kids are coming with us as well.
Considering all that's gone under the bridge both Finn-wise and of course with my long time Enz fandom, it will be an interesting evening for sure. I've always been ambivalent towards Neil's post Enz work - I genuinely loved the CH debut, but have found much inconsistency in his other work, particularly his solo LPs and the collaborations with Tim.
Stay tuned...
Crowded House never did anything for me, but I thought Neil did interesting stuff on two of his solo albums, "Try Whistling This", and One Nil". But what surprised me most is how much I really liked his "Seven Worlds Collide", a live all-star collection recorded in Auckland. I liked it, I liked it a lot.
Post a Comment