Strange Days magazine in Japan is keeping up with it’s “Time Machine” series, which I find quite interesting.
Strange Days 2010.07 lists “May 1970 Albums” as: The Beatles – Let It Be (Apple UK LP PCS 7096); King Crimson – In The Wake Of Poseidon (Island UK LP ILPS 9127); The Who – Live At Leeds (Track Record UK LP 2406 001); The Bee Gees – CucumberCastle (Polydor UK LP 2383 010); Liverpool Scene – St. Adrian Co. Broadway and 3rd (RCA UK LP SF 8100); Medicine Head – New Battles Old Medicine (Dandelion UK LP S 63757); The Can – Monster Movie (United Artists UK LP UAS 29094 – in Germany, this LP was Liberty LBS 83342 I); Love – Out Here (Harvest UK 2LP SHDW ¾ - on Blue Thumb Records in the US); and Carole King – Writer: Carole King (Ode US LP SP 77006).
I wish I owned the Liverpool Scene LP – I’ve never seen a copy!
But I do own The Beatles LP, in a boxed set version with a large booklet which insists the LP is called “Get Back”.I got the King Crimson LP almost as soon as it was released in the US on Atlantic Records – and an Island UK LP of it shortly thereafter.Also got a UK Polydor Bee Gees LP right after getting an Atco US LP of it.I do not own the aforementioned Liverpool Scene LP or Medicine Head LP (or anything else by Medicine Head).I have a German Can LP, not a UK one.I got a US pressing of the double LP by Love on Blue Thumb – and was not impressed with it – so off it went.I think I went back and got this Carole King LP after being charmed by “Tapestry” – though it took me nearly 40 years to find an A&M copy of it.
By May of 1970 – I was 100% paying attention to record collecting and the music business, as represented in Billboard, Melody Maker etc.I was seeing LP’s advertised, and the advertising made me curious.
There was a lot of interest in The Beatles at that time – the boxed set of “Let It Be” from England was $9 or $10 (when a regular new LP in the US was $3 at a hippie record store).And we had already bought a bootleg LP version of “Let It Be”: “Homogenized Beatles” as well as another version called “Get Back”.I think only “For You Blue” was new to us at that point.I also remember taking a cassette recorder into a movie theatre, trying to record the audio track from the “Let It Be” movie.
I had noticed the cover of the first King Crimson album at Wallach’s MusicCity, probably early in 1970 – my 12-year-old ears enthralled with “21st Century schizoid Man”.When “In The Wake Of Poseidon” first appeared, I spent my allowance on it immediately – and was mightily amused with “Pictures Of A City” and “Cat Food”.And have been ever since.“Live At Leeds” was also very important – it being the first Who LP released after “Tommy” – all those great inserts and that poster!Took a while for me to get around to Can (maybe ’74 or so?)…
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