I recently almost had the opportunity to see KeithEmerson & GregLake play live in Los Angeles.I couldn’t go to the show.But, yes, I have a lot of EL&P records, and…I think I have some of their solo material…
Keith Emerson
CDCHIESA, LA (w/ Goblin)(O.S.T.)CINEVOX ITCDMDF 329
2001 13 TRKS O.S.T.
7"HONKY TONK TRAIN BLUES (PS)MANTICORE UKK 13513
1976 2 TRKS with pic sleeve
CDINFERNO (O.S.T.)CINEVOX ITCD-CIA 5022
1979 15 TRKS ('89 issue)
LPINFERNO (O.S.T.)CINEVOX ITMDF 33/138
1979 15 TRKS
CDMURDEROCK (O.S.T.)CINEVOX ITCDMDF 345
1984 15 TRKS ('01 issue) (4 x bvonus tracks)
LPNIGHTHAWKS (O.S.T.)BACKSTREET USBSR-5196
1981 11 TRKS O.S.T.
GregLake
7"I BELIEVE IN FATHER CHRISTMAS / HUMBUGATLANTIC US45-3305
1975 2 TRKS no pic sleeve, Xmas
7"I BELIEVE IN FATHER CHRISTMAS / HUMBUG (PS)MANTICORE FR13511
1975 2 TRKS with pic sleeve, Xmas
7"LET ME LOVE YOU ONCECHRYSALIS USCHS 2571
1981 2 TRKS no pic sleeve
LPMANOEUVRESCHRYSALIS USFV 41392
1983 10 TRKS
There are significant solo works by Emerson & Lake on:
CDx2WORKS, Vol. 1SHOUT US10785
LPx2WORKS, Vol. 1ATLANTIC USSD 2-7000
So, how do I feel about this stuff in 2010?I may have judged it too harshly in the 70’s – I finished with EL&P pretty early, with “Brain Salad Surgery”.Yes, it is progressive rock, but it was getting too popular, for me.
My friend Bob G. hipped me to the French band from Lyon called L’Affaire Louis’ Trio
( = Louis’ Busy Trio) about ’87 or so.While I like all of their albums, my favorite is their 2nd album “Le Retour De L’Age D’Or” ( = The Return Of The Golden Age )(Barclay Records France, 1988).
I never had a particularly easy time finding French CD’s in Los Angeles, but once I knew this existed, it was somehow easier for me to request it from Japan – my friend Wes O. still runs Rockit mail-order and he orders from Japan all the time – and has for 25+ years.I was more than happy to fork over whatever it was going to cost, as I had absolutely loved their debut CD “Chic Planete”.The booklet in this Japanese edition has all the words to the songs, in French, of course.It contains the songs:
Bois Ton Café
Le Retour De L’Age D’Or
Religado
Paradis D’Amour
Annie
Bois Ton Café, Il Est Tard
Succes De Larmes
Histoires De Fous
Bob et Linda
Adieux a L’Amour
Adieux a L’Amour – Final
La Ballade
Un Jouet Qui Nous Plait
This album is about 45 minutes long – I’ve never seen an LP of it, but it must exist.I have vinyl (7”) for “Succes De Larmes”, which also has a super music video that a friend taped off of French TV for me.I’ve also got a couple of CD Singles that pertain to this album.Yes, this is the album I loved so much that I read about an upcoming tour, got the Paris dates…actually flew to Paris to check ‘em out at the Olympia theatre…only to discover that the whole tour had been re-scheduled for several months later.
This is one of the CD’s that made life in the late 80’s amusing for me.It’s French pop music of a very high order – funky, chic – yet nostalgic.Even if you can’t understand French, you can tell these guys are having a great time – the sense of humor is very present.Still in the dark?Are you a fan of Les Rita Mitsouko, Etienne Daho or LesInnocents?Give L’Affaire Louis’ Trio a try – with this album.
Believe it or not, I recently found an “extra” copy of this album in my collection – another Japanese copy, in fact.If you’d like to own it, I’d be happy to send it to you – leave your comments, and by May 3rd, 2010 – I’ll announce who is the “winner” – tell me why you’d like to hear this album or give me any reason why your collection would be a good home for it.
Where did all the time go?Have I really been walkin’ around here for 51+ years?There’s no time anymore…these days, I find I only really have time enough to listen to music in my car.Unlike some people, I do not want to listen to music at work.
Fortunately, work these days is only 32 hours a week (4 days) – but on my “off” time, it’s busy – running errands.And every weekend for over a decade, I spend time away from my home, with my GF up in Los Angeles.I can remember a lot of ‘times’…I can anticipate ‘time’…sort of useless to ponder ‘time’ – it will occur whether we want it to or not.
I’ve been blogging since July of 2002.This blog is in it’s 3rd incarnation.I would like to think I will keep it in it’s present form, “Music Life”, for as long as possible.‘Cause that’s what I think I would like my life to be – a “Music Life”.Through music, I have found a path to my better self.It took me a while to realize that.Before it occurred to me, several friends suggested that to me.
I am always slightly amused by the thought of a man with a “Music Life” slowly becoming deaf – think Pete Townshend.And I thought I abused my hearing!Still, I’ve heard a lot of music; and even if I went deaf, I think I could still write about it.
My friends The Nits once had a song called “Tons of Ink” – “Tons of ink make millions think!”It’s true!At least I am not wasting any ink, having written all the stuff for the internet over the last 8.5 years.I used to sometimes generate a print-version of my music writing, but that has pretty stopped these days.
My catalogue swiftly approaches 25,000 titles.Damn.That’s a lot of titles.And I only just started trying Classical Music!Looks likely I am going to try and sell some more stuff, to try and keep the collection ‘down’ to 25,000 only.Can I do it?A lot of the time, I am presently replacing titles with new editions of the same titles (such as Japanese paper sleeve CD’s, or Super Audio CD’s) – and I don’t keep old editions of CD’s (except for Frank Zappa and a few select others).When will I have the time to get to everything?
I am interested in finding a way to re-vamp my collection – perhaps a different style of cataloguing?Different information?Well, with SACD’s, I can certainly do that – differentiating between hybrid and non-hybrid, multi-channel vs. stereo etc.I suppose I could merely add fields to my existing collection list.Hmmm…
Do you catalogue your music collection?What format do you use? I don’t even remember what format I started with, but it’s been in Excel for over a decade.My present computer is non-Mac, so I can’t really do any Mac applications.And I never got comfortable with Access.How much time have I got?
Thankfully, Strange Days magazine in Japan has kept up with it’s “Time Machine” series, which I find quite interesting.
Strange Days 2010.05 lists “March 1970 Albums” as:RINGO STARR – Sentimental Journey (Apple UK PCS 7001); THE FACES – The First Step (Warner UK WS 3000); CROSBY, STILLS, NASH & YOUNG – Deja Vu (Atlantic US SD 7200); TYRANNOSAURUS REX – A Beard Of Stars (Regal Zonophone UK SLRZ 1013); CREEDENCE CLEARWATER REVIVAL – Willy & The Poor Boys (Fantasy US 8397); VAN MORRISON – Moondance (Warner US WS 1835); MOUNTAIN – Climbing! (Windfall US 4501); and CHICAGO – Chicago II (Columbia US KGP 24) double LP.
I must be getting old, because I remember all of these and I actually do own copies (of some sort) of all of these!Seems like the Japanese are now including a few more U.S. albums this month!
Me & my friend(s) got the Ringo Starr album the day it hit the streets here, but…it was a bit ‘traditional’ for us, the old songs.I like it a lot better now than I did then.
I knew Rod Stewart from the Jeff Beck Group, so I was, of course, interested to hear him in The Faces – could this possibly be the same band that did “ItchycooPark” a few years earlier?Damn right, but Rod seemed to improve the mix.I had heard “Flying” on a Warner / Reprise sampler LP set.
Everybody (that I knew, anyway) were sort of anticipating a 2nd album from Crosby, Stills & Nash, after their Woodstock appearance, the previous turn of the wheel.“Déjà vu” was kind of like “Required Reading” – you absolutely HAD to know about it.
By now, I was very curious about T. Rex – why did this album come out in th US on Blue Thumb Records?That initially made me suspicious – but, it did mean that the LP was almost immediately in the $1 bin.
C.C.R. was really churning them out, by album #4.It’s not a bad US pop album, though.My memory of it:SHORT.But a few good songs, and some good singles, too.
Bless the Warner / Reprise sampler LP’s!The singer of Them’s debut solo LP had a great tune on a sampler LP: “Caravan”.And I did like Van Morrison’s singles, for a while, anyway.
There was a TV special with Mountain in it – and the press of the day (Circus?Creem?) was touting them as “the American Cream”.
“Chicago II” was yet another double LP from the venerable Chicago Chicago band.It wasn’t a full price 2LP set, either – and it came with a poster.“Make Me Smile” was a pretty good single, which is what I bought immediately, probably before the album came out.
Kind of hard to get around it these days – I have mail-ordered some CD’s recently:
ADDERLEY, CANNONBALL / MILT JACKSON – THINGS ARE GETTING BETTER, RIVERSIDE US SACD jazz
BARTOK –CONCERTO FOR ORCHESTRA, TELARC US SACD classical
DONOVAN –STORYTELLER, AUDIO FIDELITY US SACD
GENESIS –TRICK OF THE TALE, VIRGIN UK SACD + NTSC DVD
GENESIS –WIND & WUTHERING, VIRGIN UK SACD + NTSC DVD
MOODY BLUES –EVERY GOOD BOY DESERVES FAVOUR, THRESHOLD UK SACD
MOODY BLUES –SEVENTH SOJOURN, THRESHOLD UK SACD
RAVEL –DAPHNIS ET CHLOE, RCA RED US SACD classical
WHO, THE – LIVE AT ROYAL ALBERT HALL (2000), SPV DE SACDx3
Most of what I have been mail-ordering are SACD’s, due to their increasingly limited availability.The above titles came from eBay, Amazon and a place called Elusive Disc, which specializes in audiophile vinyl and CD’s.If you don’t know what the fuss ever was about SACD’s, I can only say that everything I’ve heard so far as an SACD has been re-mastered beautifully.I am not set up to play 5.1 moxes of anything, I am just listening to SACD’s in stereo – on my 70’s equipment (apart from the SACD player, ‘natch).
I once mail-ordered some very cheap stuff from a place in NYC “King Carol”, if memory serves (5 x copies of a 99 cent Mort Garson LP “The Dusk To Dawn Orchestra” on Elektra – still never on CD!) – 35+ years ago!I went through a phase of mail-ordering progressive rock LP’s towards the end of the 70’s, when European artists were tough to find stocked anyplace.I’ve mail-ordered stuff from Red Eye in Australia, a good, reputable dealer.I’ve used Fun Records in Germany (who hasn’t?).I used to run a small mail-order company, “ANZ Imports” – when nobody else was importing much from ‘down under’ (in the early 80’s).I wrote their catalogue!
The above titles arrived on my doorstep for the following reasons: Cannomball Adderley was won inexpensively on eBay, as was the Bartok SACD; Donovan and Genesis came off of Elusive Disc’s website – at sale prices (not terribly cheap, but SACD’s I’ve not seen offered elsewhere); the Moody Blues came from Amazon.com via a local company called something like “Import CD’s” – these are the 2 I just never see stocked anywhere, and both were have-able for no more than standard retail – I could’ve mail-ordered them from Amazon.co.uk, but the shipping would’ve been a lot more then.Ravel is an RCA “Living Stereo” SACD – all of which I have been greatly impressed with (never having heard much classical music).And, finally, The Who came off of eBay for a good price, a triple SACD for under $20 – and it’s ¾ of The Who!
Also recently received via mail-order:
ALLMAN BROTHERS BAND –EAT A PEACH, MERCURY US SACD
BERLIOZ –REQUIEM, RCA RED SEAL US SACD classical
BERLIOZ –SYMPHONIE FANTASTIQUE, RCA RED SEAL US SACD classical
BERTIGNAC, LOUIS –LONGTEMPS, POLYDOR FR SACD + DVD
HANCOCK, HERBIE –V.S.O.P. (The Quintet), SONY JPN SACD jazz
PINK FLOYD –MONEY, EMI US SACD Single, promo
KOTTKE, LEO –6- AND 12-STRING GUITAR, TAKOMA US SACD
STOCKHAUSEN, KARLHEINZ –STIMMUNG, HARMONIA MUNDI AU SACD classical
…all from eBay…and I just read about some new (rock & jazz) SACD’s coming out in Japan!Oh, boy – the little blue light is going to be coming on!